{"id":2111,"date":"2023-02-22T23:31:06","date_gmt":"2023-02-22T23:31:06","guid":{"rendered":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/?page_id=2111"},"modified":"2023-02-23T09:05:01","modified_gmt":"2023-02-23T09:05:01","slug":"klara-kemp-welch","status":"publish","type":"page","link":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/klara-kemp-welch\/","title":{"rendered":"Klara Kemp-Welch"},"content":{"rendered":"\n<figure class=\"wp-block-image size-medium is-style-rounded\"><img decoding=\"async\" loading=\"lazy\" width=\"300\" height=\"300\" src=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/IMG-0964-scaled-aspect-ratio-1-1-330x330-c-default-300x300.jpeg\" alt=\"\" class=\"wp-image-2112\" srcset=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/IMG-0964-scaled-aspect-ratio-1-1-330x330-c-default-300x300.jpeg 300w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/IMG-0964-scaled-aspect-ratio-1-1-330x330-c-default-150x150.jpeg 150w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/IMG-0964-scaled-aspect-ratio-1-1-330x330-c-default-192x192.jpeg 192w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/IMG-0964-scaled-aspect-ratio-1-1-330x330-c-default.jpeg 330w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/figure>\n\n\n\n\n<p align=\"justify\">Klara Kemp-Welch works on intersections between modern and contemporary art and politics. She is the author of Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 (London: IB Tauris, 2014), Networking the Bloc. Experimental Art in Eastern Europe 1965-1989 (Cambridge Massachusetts and London, England: MIT Press, 2019) and co-editor of A Reader in East-Central European Modernism 1918-1956 with Beata Hock and Jonathan Owen (London: Courtauld Books Online, 2019). She is now writing a monograph on contemporary art, migration and mobility in the European Union.<\/p>","protected":false},"excerpt":{"rendered":"<p>Klara Kemp-Welch works on intersections between modern and contemporary art and politics. She is the author of Antipolitics in Central European Art. Reticence as Dissidence under Post-Totalitarian Rule 1956-1989 (London: IB Tauris, 2014), Networking the Bloc. Experimental Art in Eastern Europe 1965-1989 (Cambridge Massachusetts and London, England: MIT Press, 2019) and co-editor of A Reader &hellip; <a href=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/klara-kemp-welch\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Klara Kemp-Welch<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2111"}],"collection":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/comments?post=2111"}],"version-history":[{"count":2,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2111\/revisions"}],"predecessor-version":[{"id":2131,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2111\/revisions\/2131"}],"wp:attachment":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/media?parent=2111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}