{"id":213,"date":"2018-08-14T07:38:06","date_gmt":"2018-08-14T07:38:06","guid":{"rendered":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/?page_id=213"},"modified":"2023-03-07T19:52:21","modified_gmt":"2023-03-07T19:52:21","slug":"programme","status":"publish","type":"page","link":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/programme\/","title":{"rendered":"Program"},"content":{"rendered":"<p style=\"text-align: right;\"><a href=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/03\/ProgramWEB.pdf\"><strong>Download Program in PDF<\/strong><\/a><\/p>\n<p>The Second<\/p>\n<p>East-Central European Art Forum<\/p>\n<p><span style=\"font-size: 36pt;\"><strong>Equal and Poor: A comparative perspective on Art in Communist Europe and the Global South in the long 1970s<\/strong><\/span><br \/><span style=\"font-size: 12pt;\"><strong>17-18 March 2023<\/strong><\/span><\/p>\n<p>Free Admission<\/p>\n<p><span style=\"font-size: 18pt;\"><strong>March 17, 2023 (Friday)<\/strong><\/span><\/p>\n<p><strong>9.00 &#8211; 11.00 \/ Session 1<\/strong><br \/><strong>Equality of Peripheries? Art during dictatorship<\/strong><br \/><strong>Chair:<\/strong> Emese K\u00fcrti<\/p>\n<table style=\"width: 100%; border-collapse: collapse; height: 172px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 64px;\">\n<td style=\"width: 17%; height: 56px;\">9.00-9.15<\/td>\n<td style=\"width: 83%; height: 56px;\">Magdalena Radomska, <em>Opening<\/em><\/td>\n<\/tr>\n<tr style=\"height: 64px;\">\n<td style=\"width: 17%; height: 56px;\">9.15-10.00<\/td>\n<td style=\"width: 83%; height: 56px;\">Caterina Preda, <em>Equal, but Poor: (Dis)Connections and Parallel Forms of Aesthetic Resistance to the Political in Eastern Europe and South America in the 1970s-1980<\/em><\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 17%; height: 60px;\">10.00-10.20<\/td>\n<td style=\"width: 83%; height: 60px;\">Katerina Valdivia Bruch, <em>A Cultural Guerrilla Warfare? The Experimental Art Scene in Lima During Velasco Alvarado&#8217;s Administration (1968-1975)<\/em><\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 17%; height: 60px;\">10.20-10.40<\/td>\n<td style=\"width: 83%; height: 55px;\">S\u0142abo\u0144 Natalia, <em>Peripheral Collaborations. Contacts of Ryszard Stanis\u0142awski and the Muzeum Sztuki in \u0141\u00f3d\u017a with South and Latin America during 1960s and 1970s<\/em><\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 17%; height: 67px;\">10.40-11.00<\/td>\n<td style=\"width: 83%; height: 67px;\">Darina Zavadilov\u00e1, <em>Ra\u00fal Mart\u00ednez and his &#8220;Cuban theatre&#8221;. Cultural cooperation between Czechoslovakia and Cuba<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Coffee break<br \/><strong>11.00 &#8211; 11.15<\/strong><\/p>\n<p><strong>11.15 &#8211; 12.15 \/ Session 2<\/strong><br \/><strong>Resilient Art &amp; Bureaucratization<\/strong><br \/><strong>Chair:<\/strong> Zsuzsa L\u00e1szl\u00f3<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 174px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 46px;\">\n<td style=\"width: 16.9251%; height: 52px;\">11.15-11.35<\/td>\n<td style=\"width: 83.0749%; height: 52px;\">Alina \u0218erban, <em>A Man of Crowd Resilient Practices, Imaginary Turns and the Death of the Author<\/em><\/td>\n<\/tr>\n<tr style=\"height: 50px;\">\n<td style=\"width: 16.9251%; height: 63px;\">11.35-11.55<\/td>\n<td style=\"width: 83.0749%; height: 63px;\">Ksenija Orelj, <em>The Paradox of Art as Work \u2013 Between the Artists&#8217; and Museum&#8217;s Imagination of the Work Ethic in the Age of Bureaucratization<\/em><\/td>\n<\/tr>\n<tr style=\"height: 51px;\">\n<td style=\"width: 16.9251%; height: 59px;\">11.55-12.15<\/td>\n<td style=\"width: 83.0749%; height: 59px;\">Wilczy\u0144ska Karolina, <em>Documentality and the Aesthetic of Administration in East-Central European Art<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Discussion<br \/><strong>12.15 &#8211; 12.45<\/strong><\/p>\n<p>Lunch Break<br \/><strong>12.45 &#8211; 14.00<\/strong><\/p>\n<p><strong>14.00 &#8211; 15.00 \/ Session 3<\/strong><br \/><strong>NETworking Equality and Poverty\u00a0<\/strong><\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 59px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 96px;\">\n<td style=\"width: 17%; height: 10px;\">14.00-14.15<\/td>\n<td style=\"width: 83%; height: 10px;\">Magdalena Radomska, <em>Opening part 2<\/em><\/td>\n<\/tr>\n<tr style=\"height: 64px;\">\n<td style=\"width: 17%; height: 49px;\">14.15-15.00<\/td>\n<td style=\"width: 83%; height: 49px;\">Jaros\u0142aw Koz\u0142owski, <em>NET &amp; Work &#8211; <\/em>Interviewed by Katarzyna Cytlak &amp; Magdalena Radomska\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Coffee break<br \/><strong>15.00-15.15<\/strong><\/p>\n<p><strong>15.15 &#8211; 16.40 \/ Session 4<\/strong><br \/><strong>Comparative Perspective &amp; Solidarity<\/strong><br \/><strong>Chair:<\/strong> Magdalena Radomska<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 229px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 96px;\">\n<td style=\"width: 17%; height: 74px;\">15.15-15.35<\/td>\n<td style=\"width: 83%; height: 74px;\">Daniel Gr\u00fa\u0148, <em>Ping-Pong Masks. Politics of Language Games by Lenora de Barros and J\u00falius Koller<\/em><\/td>\n<\/tr>\n<tr style=\"height: 64px;\">\n<td style=\"width: 17%; height: 70px;\">15.35-15.55<\/td>\n<td style=\"width: 83%; height: 70px;\">Dorota Jagoda Michalska, <em>The Afterlives of Serfdom: Teresa Murak and New Genealogies of Land Art in Socialist Poland<\/em><\/td>\n<\/tr>\n<tr style=\"height: 64px;\">\n<td style=\"width: 17%; height: 85px;\">15.55-16.40<\/td>\n<td style=\"width: 83%; height: 85px;\">Cristina Freire, <em>Reversed Net From South-East active solidarity in the 1970s to current dilemmas<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Discussion<br \/><strong>16.40 &#8211; 17.10<\/strong><\/p>\n<p><strong><span style=\"font-size: 18pt;\">March 18, 2023 (Saturday)<\/span><\/strong><\/p>\n<p><strong>9.00 &#8211; 10.25 \/ Session 5<\/strong><br \/><strong>Peripheries of the World &#8211; unite!<\/strong><br \/><strong>Chair:<\/strong> Katarzyna Cytlak<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 199px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 64px;\">\n<td style=\"width: 17%; height: 66px;\">9.00-9.45<\/td>\n<td style=\"width: 83%; height: 66px;\">Klara Kemp-Welch, <em>Teaching and Learning Eastern European and Latin American Art Together<\/em><\/td>\n<\/tr>\n<tr style=\"height: 32px;\">\n<td style=\"width: 17%; height: 64px;\">9.45-10.05<\/td>\n<td style=\"width: 83%; height: 64px;\">Irina Genova, <em>Graphic Images and Practices &#8211; Exchange between Bulgaria and Latin America in the 1960s and Early 1970s. Politically Engaged \/ Autonomous Art<\/em><\/td>\n<\/tr>\n<tr style=\"height: 64px;\">\n<td style=\"width: 17%; height: 69px;\">10.05-10.25<\/td>\n<td style=\"width: 83%; height: 69px;\">Magdalena Radomska, <em>Poverty and Class Consciousness &#8211; Beyond Superstructural Analysis of Art in East-Central Europe and Global South<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Coffee break<br \/><strong>10.25 &#8211; 10.40<\/strong><\/p>\n<p><strong>10.40 &#8211; 11.40 \/ Session 6<\/strong><br \/><strong>Exhibiting South East<\/strong><br \/><strong>Chair:<\/strong> Andrea B\u00e1torov\u00e1<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 160px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 61px;\">\n<td style=\"width: 17%; height: 61px;\">10.40-11.00<\/td>\n<td style=\"width: 83%; height: 61px;\">Gabriela \u015awitek, <em>The &#8220;Invisible&#8221; Global South: A Case Study of &#8211; the 1970s East-Central European Exhibitions&#8217; Geography<\/em><\/td>\n<\/tr>\n<tr style=\"height: 42px;\">\n<td style=\"width: 17%; height: 42px;\">11.00-11.20<\/td>\n<td style=\"width: 83%; height: 42px;\">Rashmi Viswanathan, <em>India&#8217;s Triennale of 1968<\/em><\/td>\n<\/tr>\n<tr style=\"height: 57px;\">\n<td style=\"width: 17%; height: 57px;\">11.20-11.40<\/td>\n<td style=\"width: 83%; height: 57px;\">Luiza Kempi\u0144ska, <em>Narratives on NET<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Discussion<br \/><strong>11.40 &#8211; 12.10<\/strong><\/p>\n<p>Lunch Break<br \/><strong>12.10 &#8211; 13.25<\/strong><\/p>\n<p><strong>13.25 &#8211; 14.25 \/ Session 7<\/strong><br \/><strong>Correspondences &amp; Peripheral Connections<\/strong><br \/><strong>Chair:<\/strong> D\u00e1vid Feh\u00e9r<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 163px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 60px;\">\n<td style=\"width: 17%; height: 60px;\">13.25-13.45<\/td>\n<td style=\"width: 83%; height: 60px;\">Katarzyna Cytlak,<em> Beyond Compare: Horacio Zabala vs Josef Jankovi\u010d or Could East European Art be Decolonial?<\/em><\/td>\n<\/tr>\n<tr style=\"height: 59px;\">\n<td style=\"width: 17%; height: 59px;\">13.45-14.05<\/td>\n<td style=\"width: 83%; height: 59px;\">Pablo Santa Olalla, <em>Videopost (1977): a Transnational Video Art Project Organised Through the Solidarity of Mail-Art Networks<\/em><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 17%; height: 44px;\">14.05-14.25<\/td>\n<td style=\"width: 83%; height: 44px;\">Jana P\u00edsa\u0159\u00edkov\u00e1, <em>Gallery in a Post Box<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Coffee break<br \/><strong>14.25 &#8211; 14.40<\/strong><\/p>\n<p><strong>14.40 &#8211; 16.25 \/ Session 8<\/strong><br \/><strong>Global South &amp; Beyond<\/strong><br \/><strong>Chair:<\/strong> Pavl\u00edna Morganov\u00e1<\/p>\n<table style=\"border-collapse: collapse; width: 100%; height: 200px;\" border=\"1\">\n<tbody>\n<tr style=\"height: 60px;\">\n<td style=\"width: 17%; height: 60px;\">14.40-15.00<\/td>\n<td style=\"width: 83%; height: 60px;\">Inga Lace,<em> Long-distance Friendships: Unwritten Stories From The Baltics and Global South<\/em><\/td>\n<\/tr>\n<tr style=\"height: 59px;\">\n<td style=\"width: 17%; height: 59px;\">15.00-15.20<\/td>\n<td style=\"width: 83%; height: 59px;\">Rado I\u0161tok, <em>The Last Modern Art Exhibition in the 1970s Czechoslovakia? Contemporary Egyptian Art (1971) at Prague City Gallery<\/em><\/td>\n<\/tr>\n<tr style=\"height: 44px;\">\n<td style=\"width: 17%; height: 44px;\">15.20-15.40<\/td>\n<td style=\"width: 83%; height: 44px;\">Radek Przedpe\u0142ski, <em>Crystalist Conceptualism in Sudan and Polish Peoples&#8217; Republic<\/em><\/td>\n<\/tr>\n<tr style=\"height: 59px;\">\n<td style=\"width: 17%; height: 37px;\">15.40-16.25<\/td>\n<td style=\"width: 83%; height: 37px;\">Walter Mignolo, <em>Gnoseology, Ars and Aesthesis: One Path of Delinking from Western Epistemology, Art and Aesthetics<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Closing discussion<br \/><strong>16.25 &#8211; 16.55<\/strong><br \/><span style=\"text-decoration: underline;\">The conference will be held in English<\/span><\/p>\n<p><strong>Organizers:<\/strong><br \/>Magdalena Radomska: Piotr Piotrowski Center for Research On East-Central European Art (Art Sciences Department, UAM)<br \/>Faculty of Art Studies, Adam Mickiewicz University<br \/>Katarzyna Cytlak: UMK, Toru\u0144<\/p>\n<p><strong><b>Partners:<\/b><br \/><\/strong>Museum of Fine Arts &#8211; KEMKI (Budapest), Galeria Miejska Arsena\u0142 (Pozna\u0144), Archiwum Idei (Pozna\u0144), VVP AVU (Prague), Department of Art History, Comenius University (Bratislava)<\/p>\n<p><strong>Financial Support:<br \/><\/strong>International Visegrad Fund<strong><br \/><\/strong><\/p>\n<p><strong>Venue:<\/strong><br \/>ZAMEK Cultural Center, New Scene<br \/>\u015aw. Marcin Street 80\/82, Pozna\u0144, Poland<\/p>\n<p><strong>Artworks:<br \/><\/strong>Angelo de Aquino, <em>Through Myself<\/em>, 1973, Galeria Akumulatory 2, Pozna\u0144 <br \/>Jaros\u0142aw Koz\u0142owski, <em>Reality<\/em>, book cover, 1972<br \/>Gez\u0301 a Perneczky, <em>Marxists Cells<\/em>, 1983 (on the 100th anniversary of the death of Karl Marx)<\/p>\n<p>Website created by Arek Paso\u017cyt\u00a0<br \/>Forum logo designed by Luiza Kempi\u0144ska\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>The conference is the final chapter of a four-part conference series organised in the framework of the project <em>Resonances: Regional and Transregional Cultural Transfer in the Art of the 1970s.\u00a0<\/em><\/p>\n<p>\u00a0<\/p>\n<div dir=\"ltr\">\u00a0<\/div>\n\n\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-473\" src=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2018\/09\/logo_wersja-podstawowa_granat_1-mini.jpg\" alt=\"\" width=\"99\" height=\"115\">&nbsp; &nbsp;&nbsp; &nbsp;<img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2062\" src=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/327445513_737915534194005_4270376308502771341_n-300x300.jpg\" alt=\"\" width=\"115\" height=\"115\" srcset=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/327445513_737915534194005_4270376308502771341_n-300x300.jpg 300w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/327445513_737915534194005_4270376308502771341_n-150x150.jpg 150w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/327445513_737915534194005_4270376308502771341_n-192x192.jpg 192w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/327445513_737915534194005_4270376308502771341_n.jpg 320w\" sizes=\"(max-width: 115px) 100vw, 115px\" \/>&nbsp; &nbsp; &nbsp; <img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2063\" src=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/277752063_470148318231915_4495266881472051523_n-300x300.jpg\" alt=\"\" width=\"115\" height=\"115\" srcset=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/277752063_470148318231915_4495266881472051523_n-300x300.jpg 300w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/277752063_470148318231915_4495266881472051523_n-150x150.jpg 150w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/277752063_470148318231915_4495266881472051523_n-192x192.jpg 192w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/277752063_470148318231915_4495266881472051523_n.jpg 535w\" sizes=\"(max-width: 115px) 100vw, 115px\" \/>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2078\" src=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/KEMKI_logo_EN-300x137.png\" alt=\"\" width=\"252\" height=\"115\" srcset=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/KEMKI_logo_EN-300x137.png 300w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/KEMKI_logo_EN-192x88.png 192w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/KEMKI_logo_EN.png 686w\" sizes=\"(max-width: 252px) 100vw, 252px\" \/>\u00a0 \u00a0 <img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2077\" src=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/Resonances_logo_social_facebook2-300x274.png\" alt=\"\" width=\"127\" height=\"116\" srcset=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/Resonances_logo_social_facebook2-300x274.png 300w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/Resonances_logo_social_facebook2-192x175.png 192w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/02\/Resonances_logo_social_facebook2.png 620w\" sizes=\"(max-width: 127px) 100vw, 127px\" \/><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-2\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"220\" height=\"102\" src=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/03\/obraz_2023-03-07_192551.png\" alt=\"\" class=\"wp-image-2286\" srcset=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/03\/obraz_2023-03-07_192551.png 220w, https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-content\/uploads\/2023\/03\/obraz_2023-03-07_192551-192x89.png 192w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Download Program in PDF The Second East-Central European Art Forum Equal and Poor: A comparative perspective on Art in Communist Europe and the Global South in the long 1970s17-18 March 2023 Free Admission March 17, 2023 (Friday) 9.00 &#8211; 11.00 \/ Session 1Equality of Peripheries? Art during dictatorshipChair: Emese K\u00fcrti 9.00-9.15 Magdalena Radomska, Opening 9.15-10.00 &hellip; <a href=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/programme\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Program<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/213"}],"collection":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/comments?post=213"}],"version-history":[{"count":137,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/213\/revisions"}],"predecessor-version":[{"id":2303,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/213\/revisions\/2303"}],"wp:attachment":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/media?parent=213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}