{"id":2461,"date":"2023-11-21T18:30:00","date_gmt":"2023-11-21T18:30:00","guid":{"rendered":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/?page_id=2461"},"modified":"2023-11-21T21:44:21","modified_gmt":"2023-11-21T21:44:21","slug":"session-1-2","status":"publish","type":"page","link":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/session-1-2\/","title":{"rendered":"Session 1"},"content":{"rendered":"\n<p>Caterina Preda,\u00a0<em>Equal, but Poor: (Dis)Connections and Parallel Forms of Aesthetic Resistance to the Political in Eastern Europe and South America in the 1970s-1980<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Katerina Valdivia Bruch,\u00a0<em>A Cultural Guerrilla Warfare? The Experimental Art Scene in Lima During Velasco Alvarado\u2019s Administration (1968-1975)<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>S\u0142abo\u0144 Natalia,\u00a0<em>Peripheral Collaborations. Contacts of Ryszard Stanis\u0142awski and the Muzeum Sztuki in \u0141\u00f3d\u017a with South and Latin America during 1960s and 1970s<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Darina Zavadilov\u00e1,\u00a0<em>Ra\u00fal Mart\u00ednez and his \u201cCuban theatre\u201d. Cultural cooperation between Czechoslovakia and Cuba<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Darina Zavadilov\u00e1: Ra\u00fal Mart\u00ednez and his \u201cCuban theatre\u201d. Cultural cooperation- Czechoslovakia  Cuba\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/TCR_uq0ekAw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Caterina Preda,\u00a0Equal, but Poor: (Dis)Connections and Parallel Forms of Aesthetic Resistance to the Political in Eastern Europe and South America in the 1970s-1980 Katerina Valdivia Bruch,\u00a0A Cultural Guerrilla Warfare? The Experimental Art Scene in Lima During Velasco Alvarado\u2019s Administration (1968-1975) S\u0142abo\u0144 Natalia,\u00a0Peripheral Collaborations. Contacts of Ryszard Stanis\u0142awski and the Muzeum Sztuki in \u0141\u00f3d\u017a with South &hellip; <a href=\"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/session-1-2\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Session 1<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2461"}],"collection":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/comments?post=2461"}],"version-history":[{"count":3,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2461\/revisions"}],"predecessor-version":[{"id":2517,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2461\/revisions\/2517"}],"wp:attachment":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/media?parent=2461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}