{"id":2465,"date":"2023-11-21T18:30:41","date_gmt":"2023-11-21T18:30:41","guid":{"rendered":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/?page_id=2465"},"modified":"2023-11-21T21:40:38","modified_gmt":"2023-11-21T21:40:38","slug":"session-2-2","status":"publish","type":"page","link":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/session-2-2\/","title":{"rendered":"Session 2"},"content":{"rendered":"\n<p>Alina \u0218erban,\u00a0<em>A Man of Crowd Resilient Practices, Imaginary Turns and the Death of the Author<\/em><\/p>\n<p>\u00a0<\/p>\n\n\n\n<p>Ksenija Orelj,\u00a0<em>The Paradox of Art as Work \u2013 Between the Artists\u2019 and Museum\u2019s Imagination of the Work Ethic in the Age of Bureaucratization<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ksenija Orelj, The Paradox of Art as Work \u2013 Between the Artists\u2019 and Museum\u2019s Imagination of the ...\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/_PMfpvATLi4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Wilczy\u0144ska Karolina,\u00a0<em>Documentality and the Aesthetic of Administration in East-Central European Art<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Karolina Wilczy\u0144ska, Documentality and the Aesthetic of Administration in East-Central European Art\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/3BRKtWbkICQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Alina \u0218erban,\u00a0A Man of Crowd Resilient Practices, Imaginary Turns and the Death of the Author \u00a0 Ksenija Orelj,\u00a0The Paradox of Art as Work \u2013 Between the Artists\u2019 and Museum\u2019s Imagination of the Work Ethic in the Age of Bureaucratization Wilczy\u0144ska Karolina,\u00a0Documentality and the Aesthetic of Administration in East-Central European Art<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2465"}],"collection":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/comments?post=2465"}],"version-history":[{"count":3,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2465\/revisions"}],"predecessor-version":[{"id":2515,"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/pages\/2465\/revisions\/2515"}],"wp:attachment":[{"href":"https:\/\/piotrpiotrowskicenter.amu.edu.pl\/equalpoor\/wp-json\/wp\/v2\/media?parent=2465"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}