HORIZONTAL ART HISTORY:REVISING PERIPHERAL CRITICAL PRACTICES, edited by Agata Jakubowska&Magdalena Radomska, published by Routledge
The book >Horizontal Art History and Beyond Revising Peripheral Critical Practices< edited by PPCRE-CEA founders Agata Jakubowska & Magdalena Radomska has been published by Routledge. With great cover image by Mare Tralla – Felt Boots (2000).
Table of contents:
Agata Jakubowska, Magdalena Radomska, Introduction
PART I Practising horizontal art history: Democracy
Katarzyna Murawska-Muthesius, The critical museum debate continues
Dorota Jarecka, Horizontal art history and the revolutionary double bind
Karen von Veh and Richard Gregor, Horizontality without borders: postcolonial and postsocialist experience as a framework for the study of art and art history in the periphery
PART II Practising horizontal art history: localisations
Mathilde Arnoux, On the West
Paula Barreiro López, Close Other(s) in the West: Spain and its horizontal histories during the Cold War
Natalia Smolianskaia, The Russian avant-garde in the optics of horizontal art history
Anthony Gardner, Exhibition-Making as Horizontal Art History?
Agata Jakubowska, Towards an Alterglobalist Feminist Art History
PART III Challenging horizontal art history and its internal contradictions
Maja and Reuben Fowkes, How to write a global art history of Central and Eastern Europe
Magdalena Radomska, Not horizontal enough: a horizontal art history with Marxist constraints
Jérôme Bazin, Cultural Backwardness and Economic Backwardness: How Can Horizontal Art History Tackle Socioeconomic Issues?
Edit András, Horizontal Art History: Endangered Species
Jakub Dąbrowski, Freedom of expression and freedom of art in the perspective of horizontal art history
PART IV Alternatives to horizontal art history
Terry Smith, Allegories of orientation
Dan Karlholm, From horizontal art history to lateral art studies?
Béatrice Joyeux-Prunel, Why horizontal art history cannot escape calculation
Andrea Giunta, Simultaneous avant-gardes and horizontal art histories: avant-gardes beyond canonical narratives